Kamis, September 15, 2011

Anthropoid Film Entier

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ANTHROPOID is based on the extraordinary true story of "Operation Anthropoid," the code name for the Czechoslovakian operatives' mission to assassinate SS officer Reinhard Heydrich. Heydrich, the main architect behind the Final Solution, was the Reich's third in command behind Hitler and Himmler and the leader of Nazi forces in Czechoslovakia. The film follows two soldiers from the Czechoslovakian army-in-exile, Josef Gabčik (Cillian Murphy) and Jan Kubis (Jamie Dornan), who are parachuted into their occupied homeland in December 1941. With limited intelligence and little equipment in a city under lock down, they must find a way to assassinate Heydrich, an operation that would change the face of Europe forever.

About Anthropoid

Artist : Cillian Murphy, Jamie Dornan, Charlotte Le Bon, Toby Jones, Harry Lloyd
As : Josef Gabcik, Jan Kubis, Marie Kovarnikova, Jan Zelenka-Hajsky, Adolf Opalka
Title : Anthropoid Film Entier
Release date : 2016-08-12
Movie Code : 4190530
Duration : 120
Category : Drama, Mystery & Suspense

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Name : Glenn Kenny / Alias : RogerEbert.com
A lot of the time the experience of the movie is like looking at a very long wobbly rectangle, and the frequently abrupt cutting doesn't help.

Name : Leah Pickett / Alias : Chicago Reader
This beautifully photographed but slow-moving thriller dramatizes the events of Operation Anthropoid, the British military mission in which members of the Czech resistance were recruited to assassinate high-ranking Nazi official Reinhard Heydrich.

Name : Matthew Lickona / Alias : San Diego Reader
The final showdown gets blown up and dragged out, but the slow-burning fuse of everything that comes before helps to justify the explosive release.

Name : David Ehrlich / Alias : indieWIRE
Despite the film's gripping final chapter, its heroic Czechoslovakian characters are completely disconnected from the rest of the country, much like their struggle has been omitted from the cinematic legacy of the war they helped to win.

Name : James Berardinelli / Alias : ReelViews
The movie builds - something infinitely preferable to a bold, brash beginning followed by a descent into anti-climax.

Name : Joe McGovern / Alias : Entertainment Weekly
Though Anthropoid lacks narrative ambition, the film justifies its reason for being thanks to a devastating final half-hour.

Name : Marsha Lederman / Alias : Globe and Mail
While it's easy to sneer at the romantic subplot, it serves to humanize the characters and convey their intense fear. Otherwise we know too little about them - beyond the fact they are all impossibly good-looking.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Watching this vicious David and Goliath battle is a reminder of humanity's limitless capacity for destruction.

Name : Sheri Linden / Alias : Los Angeles Times
Enlightening but seldom riveting .

Name : Farran Smith Nehme / Alias : New York Post
This is a story of heroes, and the second half in particular shows why.

Name : Christopher Kompanek / Alias : Washington Post
War movies all too often take it for granted that some causes are worth dying for. To have characters grapple with that notion, imperfectly, is nothing short of cathartic.

Name : Peter Debruge / Alias : Variety
Anthropoid is a peculiarly wooden period piece, as timid characters try to muster the courage to do what is asked of them.

Name : Linda Barnard / Alias : Toronto Star
The story . feels leaden and burdened by a false ending.

Name : Peter Travers / Alias : Rolling Stone
Anthropoid reduces a riveting and resonant piece of WW2 history to moral muddle and monotonous filmmaking. Talk about an opportunity missed.

Name : Alan Scherstuhl / Alias : Village Voice
It's the kind of movie where, even if you miss the ads, you can guess you'll be seeing Toby Jones.

Name : Boyd van Hoeij / Alias : Hollywood Reporter
Valkyrie this is not.

Name : Randy Cordova / Alias : Arizona Republic
Handsomely produced, with a vivid period atmosphere aided by a faded color palette, which adds both an unease and a glowing sense of nostalgia to the proceedings.

Name : Alonso Duralde / Alias : TheWrap
Loses its footing, never quite regaining it until an extended sequence in which the seven parachutists hide out in a church, keeping wave after wave of Nazi soldiers at bay. But by the time it arrives in the film, it's almost too little, too late.

Name : Peter Keough / Alias : Boston Globe
At its best the film evokes the palpable terror of a city where uniformed thugs could arrest or kill anyone at any time with impunity.

Name : Adam Graham / Alias : Detroit News
A post-script details the aftermath of the movie's action, which seems to underscore the point that war is hell. To that point, so is "Anthropoid."

Name : Andy Webster / Alias : New York Times
It takes Sean Ellis's World War II thriller "Anthropoid" a while to build steam, but once it does, hang on.

Name : Joe Morgenstern / Alias : Wall Street Journal
An hour of plodding preparations does lead to guerrilla action, then to a long shootout in a church, but by then anyone watching will have realized that "Anthropoid" is the code name for a snore.

Name : Mike D'Angelo / Alias : AV Club
Dramatically, it's not much of a movie, but if you just want to know how things went down, it's certainly a more exciting precis than Wikipedia's.

Name : Soren Anderson / Alias : Seattle Times
Filmed in sepia tones to give it period flavor, infused with a sense of unrelieved tension and paranoia, and climaxing with a furious gunbattle, "Anthropoid" is a gripping picture.

Name : Liz Braun / Alias : Toronto Sun
From an historical viewpoint, the events depicted in Anthropoid are more than enough to hold a viewer's interest, but you never forget that you're watching a movie.

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Kamis, September 08, 2011

The Conjuring 2: The Enfield Poltergeist 💕W💕A💕T💕C💕H💕 Free

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Reprising their roles, Oscar nominee Vera Farmiga ("Up In the Air," TV's "Bates Motel") and Patrick Wilson (the "Insidious" films), star as Lorraine and Ed Warren, who, in one of their most terrifying paranormal investigations, travel to north London to help a single mother raising four children alone in a house plagued by malicious spirits.

About The Conjuring 2: The Enfield Poltergeist

Artist : Patrick Wilson, Vera Farmiga, Frances O
As : Ed Warren, Lorraine Warren, Peggy Hodgson, Janet Hodgson, Margaret Hodgson
Title : The Conjuring 2: The Enfield Poltergeist 💕W💕A💕T💕C💕H💕 Free
Release date : 2016-06-03
Movie Code : 3065204
Duration : 100
Category : Horror

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Name : Claudia Puig / Alias : USA Today
One of the scarier haunted house/demon possession movies in recent years, it brings to mind '70s supernatural horror films such as The Exorcist with its stillness, steady build of suspense and handsome cinematography.

Name : Michael Sragow / Alias : Orange County Register
[Wan] cuts The Conjuring into two halves - an exhilarating haunted-house thriller and a grueling post-Exorcist horror film - but they don't come back together in a living, breathing whole.

Name : Peter Hartlaub / Alias : San Francisco Chronicle
This isn't just a good horror film. It's a good film, which just happens to fall in the horror genre.

Name : Stephen Whitty / Alias : Newark Star-Ledger
[Wan's] entire film is possessed - by other films.

Name : Peter Hartlaub / Alias : San Francisco Chronicle
The horror movie is artfully crafted from the first scares to the closing credits, with a bold retro vibe.

Name : Justin Chang / Alias : Los Angeles Times
Another virtuosic exercise in mobile camerawork and moldering production design, tethered to a story that handles its characters and their working-class milieu with an unexpectedly grounded, sensitive touch.

Name : Neil Genzlinger / Alias : New York Times
"The Conjuring 2" does everything you want a sequel to do. It's as well made as the original, but the location and the story are different enough that it's not just the same thing all over again.

Name : Peter Keough / Alias : Boston Globe
There are only so many times a slamming door will get an audience to jump.

Name : James Berardinelli / Alias : ReelViews
The Conjuring 2 proves that, with a sufficient investment of time and energy, sequels don't have to be unsatisfying cash-grabs.

Name : Phil Brown / Alias : Globe and Mail
The Conjuring uses every stock scare in the horror movie playbook for a dumb, yet charmingly traditional haunted house picture that manages to feel more retro than rehashed.

Name : Cath Clarke / Alias : Time Out
Wan builds mounting dread with silence and suspense, lingering the camera unsettlingly long here, creaking a door there.

Name : Ben Sachs / Alias : Chicago Reader
It's generic and lazy as storytelling, but this time there's almost enough playful camerawork to distract from the feeble conception.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
Unexpectedly fresh, alive, and vibrant - and wonderfully traumatizing.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It's a ramshackle ghost story that Stephen King would throw at his trash can.

Name : Peter Travers / Alias : Rolling Stone
The sequel overstays its welcome at a punishing 133 minutes, but the power of director James Wan compels you to scream your bloody head off.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Wan masterfully tightens the vise on the audience's nerves, using mood and sound effects for shocks that never feel cheap (the harmless kids' game of hide-and-clap has never been so bloodcurdling).

Name : Michael O'Sullivan / Alias : Washington Post
In The Conjuring, the scary casts out the spirit of the silly, permanently, and with a vengeance.

Name : Amy Nicholson / Alias : MTV
Wan can't resist throwing in everything from a demonic nun to an evil kinetoscope to a shape-shifting dog. But when building suspense, more means less.

Name : William Goss / Alias : Film.com
All the contorting girls and pea-soup vomit in the world can hardly compete with a blood-stained sheet and a well-placed doll.

Name : Justin Chang / Alias : Variety
A sensationally entertaining old-school freakout and one of the smartest, most viscerally effective thrillers in recent memory.

Name : Ty Burr / Alias : Boston Globe
A trim, effective haunted-house spook show, "The Conjuring" is both a throwback to early-'70s real estate shriekers like "The Amityville Horror" and a big-studio response to the "Paranormal Activity" found-footage genre.

Name : Rafer Guzman / Alias : Newsday
Another year, another mix of "The Amityville Horror" and "The Exorcist." Solid acting and an emotional back story set this one slightly apart.

Name : Richard Roeper / Alias : Chicago Sun-Times
It's just a shame the end of the movie wasn't lurking around the corner far sooner than when it finally turned up, by which time a considerable amount of my emotional investment in the film had been exhausted.

Name : Brian Truitt / Alias : USA Today
A freakier follow-up featuring creepy kids, villains who'll keep you up at night and camerawork that puts moviegoers in a state of impending dread.

Name : Wesley Morris / Alias : Grantland
Every hand that reaches into a wardrobe, every nervous trip into that basement just gets on your nerves. Satan needs to get over himself.

Name : Adam Graham / Alias : Detroit News
As "The Conjuring" progresses, the scares don't register beyond standard issue horror gotchas. They're as telegraphed as the musical cues alerting you something spooky is about to happen.

Name : Tom Huddleston / Alias : Time Out
After 'Insidious' and 'The Conjuring', James Wan has his method down.

Name : Peter Howell / Alias : Toronto Star
This is a horror film where a pair of suddenly clapping hands gives you the heebie-jeebies, and Wan doesn't cheat with his jump scares.

Name : Bill Goodykoontz / Alias : Arizona Republic
With big success comes big expectations, and "The Conjuring 2" is loaded with them. It doesn't live up to them, quite, but it's still scary and worth seeing.

Name : A.A. Dowd / Alias : AV Club
As an exercise in classical scare tactics, delivered through an escalating series of primo setpieces, The Conjuring is often supremely effective.

Name : Manohla Dargis / Alias : New York Times
The dread gathers and surges while the blood scarcely trickles in "The Conjuring," a fantastically effective haunted-house movie.

Name : Sheri Linden / Alias : Hollywood Reporter
Wan's expert deployment of genre jolts is no less in evidence this time around, but as he takes his time - perhaps even a bit too much of it - interweaving the Warrens' story with that of the Hodgsons. he crafts a deep dive into dread.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With its forked tongue planted loosely in cheek, this haunted-house flick is enjoyably retro in both style and substance.

Name : Alonso Duralde / Alias : TheWrap
The Conjuring doesn't try to reinvent the tropes of horror movies, whether it's ghosts or demons or exorcisms, but Fred Astaire didn't invent tap-dancing, either.

Name : Bruce Diones / Alias : New Yorker
Wan . builds the many bumps in the night into a small Hitchcockian symphony of terror by way of long, eerie tracking shots, dramatic silences, and sudden scares that are frighteningly immersive.

Name : Joshua Rothkopf / Alias : Time Out
It takes a retro-fashioned winner like The Conjuring to remind us that if the creaky, old house ain't broke, don't fix it.

Name : James Berardinelli / Alias : ReelViews
If I was to use a single word to describe The Conjuring, it would be "intense."

Name : Alan Scherstuhl / Alias : Village Voice
Damned if director James Wan, the auteur of Saw's rusted-edge cruelty, isn't an ace with enjoyable spookhouse trap-springing.

Name : Charlie McCollum / Alias : San Jose Mercury News
Working with cinematographer John R. Leonetti and editor Kirk Morri, Wan carefully crafts each setpiece so that each visual punch has maximum impact to a nerve-shredding musical soundtrack from composer Joseph Bihara.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Without recourse to the gruesome S&M excesses of his "Saw" franchise, Wan conjures the chill of a demon breathing down your neck.

Name : Michael O'Sullivan / Alias : Washington Post
"The Conjuring 2" satisfies more than it disappoints.

Name : Kate Erbland / Alias : MSN Movies
. it surpasses the hallmarks of its genre with an actually dramatic storyline and all-around solid acting. Just don't think you can go see it alone.

Name : Bilge Ebiri / Alias : Village Voice
The streamlined elements of the first have now given way to mind-numbing clutter.

Name : Sheri Linden / Alias : Hollywood Reporter
Taut and effective edge-of-the-seat horror, delivered with style and an especially haunting performance by Vera Farmiga.

Name : Lou Lumenick / Alias : New York Post
"The Conjuring'' depends more on its excellent cast and atmospheric direction than cheap gimmicks to raise hairs on the back of your neck. Which it does, quite frequently.

Name : Soren Anderson / Alias : Seattle Times
Hey! It's Great Moments in Haunted House Movies, collected in a double album set called "The Conjuring 2."

Name : Michael Phillips / Alias : Chicago Tribune
An "Amityville Horror" for a new century (and a far better movie than that 1979 hit), yet firmly rooted, without being slavish or self-conscious, in the visual language of 1970s filmmaking.

Name : Brad Wheeler / Alias : Globe and Mail
A supernatural winner bound to make some noise at the box office and worthy of loud applause.

Name : Rene Rodriguez / Alias : Miami Herald
An uncommonly intense and frightening experience.

Name : Edward Douglas / Alias : New York Daily News
The ghost busters of The Conjuring 2 are scary good.

Name : Jake Coyle / Alias : Associated Press
The horror sequel is a tough thing to pull off in general, and The Conjuring 2 is most certainly one of the better efforts. But, for better or worse, the first movie was just too good and The Conjuring 2 can't hold a candle to its predecessor.

Name : Ian Buckwalter / Alias : The Atlantic
.there were moments where it seemed the entire theater was holding its breath. We were united in one feeling: terror.

Name : Jake Coyle / Alias : Associated Press
The Conjuring is an unusually sturdy piece of haunted-house genre filmmaking.

Name : Mark Daniell / Alias : Toronto Sun
You always get the sense that the Hodgsons are being targeted by something that is truly out of their control, and that's the biggest scare of all.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
Much longer, more elaborate, more dramatic, and more packed with chilling moments and hair-raising visuals than one could anticipate, even from Wan.

Name : Katie Rife / Alias : AV Club
When The Conjuring 2 focuses its efforts on scaring the audience, it succeeds, wildly. And why wouldn't it?

Name : Joe Neumaier / Alias : New York Daily News
"The Conjuring" wants Dan and Lorraine to seem like Indiana Jones-style hunters of the supernatural, but in this basic jolt-provider, they're as fascinating as the Jersey Devil.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
The damned thing works you so well that you may even consider leaving halfway through, for fear you'll have a heart attack.

Name : Michael Phillips / Alias : Chicago Tribune
Despite all the children in all that peril, Wan is a humane sort of sadist. His latest offers little that's new, but the movie's finesse is something even non-horror fans can appreciate.

Name : Anthony Lane / Alias : New Yorker
[Wan's] framing of the scares is artfully managed, and it is the accomplished Wolfe, rather than any monster, who takes true possession of the tale.

Name : Richard Roeper / Alias : Richard Roeper.com
Treads familiar territory, but with style.

Name : Moira MacDonald / Alias : Seattle Times
James Wan's haunted-house saga is well-crafted, convincingly acted, surprisingly restrained and scary as hell.

Name : Owen Gleiberman / Alias : Variety
Wan has a gift that most slam-bang horror directors today do not: a sense of the audience - of their rhythm and pulse, of how to manipulate a moment so that he's practically controlling your breathing.

Name : Lou Lumenick / Alias : New York Post
A mostly satisfying follow-up that brings back the excellent Patrick Wilson and Vera Farmiga as Ed and Lorraine Warren, the real-life paranormal experts most famous for investigating "The Amityville Horror'' house.

Name : Stephen Whitty / Alias : Newark Star-Ledger
"The Conjuring 2," it seems, is itself possessed - by the ghosts of other, better movies.

Name : Andrew O'Hehir / Alias : Salon.com
Horror buffs will find [it] a highly satisfying, well-crafted film in a classical mode, with plenty of scares and very little gore.

Name : Chris Nashawaty / Alias : Entertainment Weekly
There are some solid scares (Wan is too gifted in the dark art of gotcha manipulation to not make you leap a few times), but there's nothing on par with the first film's brilliant hide-and-clap scene with Lili Taylor.

Name : Alonso Duralde / Alias : TheWrap
Frightening rarely strikes twice in the same place, despite the efforts of so many horror sequels, but even if The Conjuring 2 doesn't deliver the delightful jolts of its predecessor, it maintains a consistent chill throughout.

Name : Peter Travers / Alias : Rolling Stone
It scared the living crap out of me. Only at the movies is that a compliment. So kudos to The Conjuring for putting fresh fire into the overworked haunted-house genre.

Name : Rafer Guzman / Alias : Newsday
What saves the movie is a surprisingly fine cast and deft direction from James Wan, the horror veteran who gave us "Saw."

Name : Bill Goodykoontz / Alias : Arizona Republic
James Wan proves himself to be moving quickly up the ranks of terror auteurs. The timing, pacing and character movement are outstanding. And it's scary as hell.

Name : Joe Morgenstern / Alias : Wall Street Journal
This saga of demonic possession deploys the full audio firepower of modern multiplexes, and does so with brain-battering frequency, like a ghostbusting version of a Japanese Taiko drum ensemble.

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